Given all the hype and promotion that "X-Factor" received and its longevity as a staple on British TV, there was a high expectation that it was something different...something special that deserves our attention. In the end, I came, watched and it's...okay. 'Okay' as in entertaining TV but nothing different than a lot of other shows that have a similar format.
Thing is, we have an established American Idol, which has earned a place in the hearts of TV viewers. It's even more surprising since Simon Cowell, the creator of X-Factor, was instrumental in AI's growth. For whatever reason, perhaps boredom or the desire to prove that he can create a superior show that will eat into Idol's numbers, Cowell depature doesn't seem to have hurt Idol in the least. As expected, he plays the role of X-Factor show grouch, which also adds nothing new to the show.
Upon evaluation of the performers, X-Factor seems to have better quality singers in a wide range of ages. To its credit, X-Factor doesn't have an age limit as does AI. The usually flaky but-not-like-she-used-to-be, Paula Abdul, who was picked up by Cowell as one of his X-Factor judges, doesn't really do anything for the show. She's just...there. The real "cement" of AI, Ryan Seacrest, in his role of interviewing the aspiring singers and hosting duties, gives AI a spark that X-Factor seems to lack. To put it bluntly, Steve Jones ain't no Ryan Seacrest. He's another one of those just...there.
In the end both shows offer aspiring singers, some of whom can actually sing, the opportunity to be on TV and perhaps their one and only shot at stardom. What is missing is something to distinguish the shows from being mirror images of each other.
Quick un-official curiousity poll/question: do you prefer American Idol or X-Factor?
A blog that examines the foibles of life and the inconsequential events that make it interesting and somewhat puzzling.
Showing posts with label reality shows. Show all posts
Showing posts with label reality shows. Show all posts
Thursday, October 06, 2011
Friday, September 23, 2011
Do we care? X-Factor joins American Idol vs The Voice...and so it goes
The fall TV line up is just beginning and already the comparison commentary has begun. This week "X-Factor", the singing competition highly promoted by Simon Cowell with good reason - it's his baby - made its debut. The American version of the successful Brit show that instroduced the world to Susan Boyle, boasted a live audience that reacted to the various singers.
As one of the original judges on American Idol since it first began in 2002, he announced his departure in 2010 to create the U.S. version of "X-Factor." As one of the AI judges and along with Paula Abdul, the two threw verbal jabs at each other and in the end, Abdul ended up joining Cowell on his new project. Nothing like on view hostility, feigned or real, to get tongues wagging and viewers attention.
Have to admit that given all the pre-show attention and TV promos, I joined all the other viewers to see if the new addition justified a weekly committment to another talent show. Basically, that's what it all comes down to: the oldie-but-always-relevant talent parade. Years ago in the days of early TV when color TV was still in the dream stage, Ted Mack hosted "Ted Mack's Amateur Hour", the embryo of today's musical reality shows. It lacked the polish and finish of today's versions but the hopefuls did their thing hoping for stardom. The gimmick was that Mack spun a wheel with the names of the talent lineup to determine their order of appearance. Later the show was joined by the very weirdish, "The Gong Show." Obviously, TV viewers enjoy the idea of watching amateur talent put themselves at the mercy of judges critiques and the at-home voting machine.
As the French say, the more things change, the more they're the same and it will be interesting to see if X-Factor lives up to its hype. If initial ratings are an indication, American Idol has the numbers but it's still the early stages. To its credit, X-Factor doesn't have an age barrier, which is the reason the world is better for having Susan Boyle. In as far as originality is concerned, the show is basically same-old, same-old, IMHO, but some real talent was introduced.
At least the plethora of shows is giving singers, both good and bad, accross the country the opportunity to be heard. Let's be honest: it's an entertaining aspect of the programs. Always interesting to see how off-key some of the contestants can be. At least I restrict my singing to the shower.
As one of the original judges on American Idol since it first began in 2002, he announced his departure in 2010 to create the U.S. version of "X-Factor." As one of the AI judges and along with Paula Abdul, the two threw verbal jabs at each other and in the end, Abdul ended up joining Cowell on his new project. Nothing like on view hostility, feigned or real, to get tongues wagging and viewers attention.
Have to admit that given all the pre-show attention and TV promos, I joined all the other viewers to see if the new addition justified a weekly committment to another talent show. Basically, that's what it all comes down to: the oldie-but-always-relevant talent parade. Years ago in the days of early TV when color TV was still in the dream stage, Ted Mack hosted "Ted Mack's Amateur Hour", the embryo of today's musical reality shows. It lacked the polish and finish of today's versions but the hopefuls did their thing hoping for stardom. The gimmick was that Mack spun a wheel with the names of the talent lineup to determine their order of appearance. Later the show was joined by the very weirdish, "The Gong Show." Obviously, TV viewers enjoy the idea of watching amateur talent put themselves at the mercy of judges critiques and the at-home voting machine.
As the French say, the more things change, the more they're the same and it will be interesting to see if X-Factor lives up to its hype. If initial ratings are an indication, American Idol has the numbers but it's still the early stages. To its credit, X-Factor doesn't have an age barrier, which is the reason the world is better for having Susan Boyle. In as far as originality is concerned, the show is basically same-old, same-old, IMHO, but some real talent was introduced.
At least the plethora of shows is giving singers, both good and bad, accross the country the opportunity to be heard. Let's be honest: it's an entertaining aspect of the programs. Always interesting to see how off-key some of the contestants can be. At least I restrict my singing to the shower.
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